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Hellcat
Drummers Perform and Present
at the Percussive Arts Society U.S.M.A. Band Percussionists Inspired by Legendary Rudimental Drummer Marty Hurley
Stacy has won prizes in numerous competitions from regional to international levels. Most recently, she was selected as a semi-finalist in the Jean-Marie Londeix International Saxophone Competition held in Bangkok, Thailand, and was the First Prize winner of the Indianapolis Matinee Musicale Instrumental Competition. Stacy became the first saxophonist to win First Prize in the William C. Byrd International Young Artist Competition held in March of 2005. As a winner of this competition, she had her professional solo debut as a concerto soloist with the Flint Symphony Orchestra in Michigan performing Henri Tomasi’s Concerto for Alto Saxophone and Orchestra. Additionally, Stacy received First Prize in the prestigious MTNA National Collegiate Artist Woodwind Performance Competition in 2003 by a unanimous decision by the judging panel, Third Prize in the North American Saxophone Alliance Young Artist Classical Competition (2004), First Prize in the Indiana University Travel Grant Competition (2007), and winner of both the Indiana University Woodwind Concerto Competition and the UNCG Annual Concerto Competition. In 2007, Stacy won a Recording Grant Competition that will enable her to release her debut solo CD in 2009. This recording will be distributed on the Emeritus recording label and will include works by Florent Schmitt, Ida Gotkovsky, Sy Brandon, Christian Lauba, and Edison Denisov. She has also recorded for award-winning composer Don Freund, in a video project aimed to assist composers and students in writing idiomatically for the saxophone. In 2006 and 2008, Stacy traveled to Laubach, Germany to participate in the 2nd International Masterclass for Classical Saxophone as a scholarship recipient to study with world-renowned saxophonists Arno Bornkamp and Vincent David. As a participant in the masterclass, Stacy was a featured soloist on a recital at the Hessenbrukenmuhle performing Christian Lauba’s Steady Study on the Boogie in 2006 and Max Bruch’s Nachtgesang in 2008. An advocate of new music, Stacy frequently takes part in premiers and has commissioned several new works from talented young composers. She has performed guest artist recitals and presented masterclasses at the Music at St. Paul’s Concert Series in Michigan, Western Kentucky University, North Carolina School of the Arts, Elon University, and the Carolina Saxophone Symposium.
Master Sergeant Dave Hershey, audio engineer, hails from Littleton, Colorado. After earning his Bachelor of Music from Oberlin Conservatory, he entered the Army in 1986. He served in the 76th Army Band (Germany) and the Army Ground Forces Band (Atlanta, GA) prior to his appointment in the West Point Band in 1994. During his tenure at West Point, Master Sgt. Hershey recorded, mixed, and mastered a multitude of recordings culminating as the Music Support Branch Head of the band. Upon his retirement, Dave and his wife will be relocating to South Carolina.
Hellcat
Drummers Perform and Present The drummers of the Hellcats were recently showcased at the Percussive Arts Society International Convention in Dallas, Texas. Their appearance included a performance/clinic concerning the historical components of modern-day drumming. In addition, members also presented four performances to Dallas-area high schools. For more information regarding the Hellcat performance, visit www.pasic.org. Download their masterclass materials for a comprehensive view of Hellcat Heritage and rudimental drumming techniques.
U.S.M.A. Band Percussionists Inspired by Legendary Rudimental Drummer Marty Hurley On Friday March 14, 2008, Rudimental Drumming Legend Marty Hurley provided a master-class, clinic and coaching session for the Hellcat drummers and Concert Band Percussionists. Mr. Hurley is famous for his long tenure with the Phantom Regiment Drum & Bugle Corps of Rockford Ill as well as a highly sought after clinician and judge. Mr. Hurley and Staff Sgt. Jeff Prosperie instructed Phantom together for several years in the early 1990's. The session included valuable information about the evolution of modern rudimental techniques from the 1950's to the present; thus, bridging the gap from ancient drum and fife to contemporary marching percussion. One of this year's drum solos in the Hellcat show is entitled "Bridging The Gap" by Staff Sgt. Prosperie and draws upon many of the same influences Mr. Hurley discussed in his sessions. All unit drummers concluded the day with a massive snare drum line performing with Mr. Hurley on West Point cadences used in Reviews.
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